I was commissioned by the National Theatre of Scotland to create a series of portraits of communities throughout Scotland to help illustrate their 2015 season. They realised that each of their plays next year hinges on an idea of community apart from one, Muriel Sparks The Drivers Seat which has a distinct lack of one. Each portrait represents the community portrayed in the play.
BELONG is a unique photographic essay created to accompany the announcement of the National Theatre of Scotland’s January to June 2015 Season. Working with the distinguished photographer Peter Dibdin, we met members of some of Scotland’s diverse communities. In seeking out the community members, we looked for synergies with the productions in our 2015 Season. While they were being photographed, we asked the subjects of the portraits to tell us a little about what it’s like to be part of a community.
“Tribes, families, clans and gangs have their joys and their challenges; we’ve taken that as our touchstone for our 2015 season of work,” says Artistic Director, Laurie Sansom. “In this diverse season we meet families ferociously fighting for survival, witness national loyalties challenged, confront cultural customs and observe a woman with no ties, recreating herself before our eyes. These are stories of communities under pressure from within, friends and family rallying round, and people making incredible journeys to escape and invent new identities. This year we hope you will join us to explore what it means to feel part of gang, or out there on your own…”
Assistant credits: Cat Thomson and Alice Myers.